Dario Lupi

Porträt Dario Lupi

Steckbrief

Profile

Baritone

Nationality

Switzerland & Greece

Email

dario.a.lupi@gmail.com

Studies

Master Specialized Music Performance – Opera

Academic Year

2025

Vocal coach

Sebastian Geyer

Former musical studies

  • Bachelor of Arts in Music – Classical Vocal, 2024, Lucerne University of Applied Sciences and Arts – Music, Lucerne Switzerland

CV

Performed operas:

  • 2025: Guglielmo – Cosi fan tutte – W.A. Mozart. Theater Atelier Heubühne, Zurich
  • 2025: Loudspeaker – Der Kaiser von Atlantis – Viktor Ullmann – Südpol. Alte Reithalle and Lokremise, Lucerne, Aarau and St. Gallen
  • 2023: Antonio – Stürmen (pasticcio opera based on The Tempest by William Shakespeare), multiple composers. Theater Basel, Basel
  • 2023: Jason – Ordinary Days – Adam Gwon. Theater Uri, Altdorf
  • 2022: Chat – L’Enfants er les sortilèges – Maurice Ravel. Kosmos, Lucerne
  • 2022: Clifford Bradshaw – Cabaret – Joe Masteroff. Miller’s Theater, Zurich

Most important projects/concerts:

  • 2023: Soloist in J.S. Bach’s Wachet! Betet! Betet! Wachet! BWV 70, Salquin Concert Hall, Lucerne

Masterclasses:

  • 2024 (and 2022): Malcolm Walker, Lucerne University of Applied Sciences and Arts, Switzerland
  • 2023: Cornelia Kallisch, Schoeck Festival in Brunnen, Switzerland

Interview: Three questions for Dario Lupi

Why are you studying opera?

I love telling stories and using them to touch people emotionally and make them think. In my opera studies, I am learning how to express emotions through my voice, music and convincing performance, thereby inspiring people to question themselves and social structures – and thus perhaps making a small contribution to a better world.

What was your first encounter with opera?

My first encounter with opera was Le Nozze di Figaro at the Lucerne Theatre. I was particularly fascinated by Vlad Tlushch as Conte Almaviva – how he filled the entire hall with nothing but his voice and captivated the entire audience. That's when I knew: I want to be able to do that too!

Which is your favourite opera and why?

For me, Viktor Ullman's Der Kaiser von Atlantis is an almost perfect opera. It has great historical and social depth, is musically fascinating and leaves the audience pensive. What's more, every time you watch it, you discover another facet that you hadn't noticed before. The only downside is that it's over after just an hour.